“a roots rocker with a powerful voice and a bad-ass Gibson SG that she plays with consummate ease... she could be your new rock ‘n’ roll hero. Drawing from rock, soul and blues, [Terra Lightfoot] is a monster talent that will be gracing the world’s largest festival stages in no time.” – PopMatters
With New Mistakes, Canada’s Terra Lightfoot offers up something rare: the kind of genuine document that can only come from a road-tested breed of songwriter and performer. Shot through with the guitarist-vocalist’s powerful, bluesy soul, vivid lyrics and ferocious six-string virtuosity, it’s an unforgettable outing.
From the ground-shaking stomp of “Paradise” and wild-eyed energy of “Pinball King” that open the set to the psychedelic, gospel-tinged album closer “Lonesome Eyes,” the steeltown native’s third record distills her masterful talent to its electrifying essence.
Produced by Gus van Go and Werner F (Arkells, Sam Roberts Band, Wintersleep), New Mistakes is a heady journey. As poignant as it is rollicking and vulnerable as it is rowdy, it cruises long and sometimes lonesome highways that lead everywhere from brokedown dive bars and endless prairie skies to mountain ranges and the Mojave Desert.
Built around Lightfoot’s killer live band — Maury LaFoy (bass), Joel Haynes (drums) and Jeff Heisholt (keyboards) — the session impresses on all counts. It’s Lightfoot’s hungriest and most raw album to date, able to mesmerize with graceful melodies one moment, and step into the ring to deliver a hurricane of hooks or a heart-wrenching chorus the next. Lifted by bright waves of organ and classic roots-rock vibe, “Ruthless” nails that lethal dynamic, slowly building a story of deep connection fraught by distance, until letting loose its knockout crescendo.
Lightfoot’s stunning, soulful voice powers her emotional wallops, laid low as a gentle whisper over the swirling finger-picking of “You Get High,” or belted out with nuclear swagger over the rock ’n’ soul grooves of “Hold You,” battling things out with a righteous Jake Clemons sax solo during its climax.
And the only forces that can go toe-to-toe with Lightfoot’s vocal prowess are her guitar chops. “Slick Back Kid” is a bluesy scorcher, barreling forward with monster riffs, dappled with hits of slide guitar work from guest vocalist Oliver Wood. “Stars Over Dakota” lays down blistering ‘70s grooves between feral blasts of overdrive as Lightfoot howls across the American midwest to someone she can’t stop thinking about. “Drifter” reflects on love long past, with her emotive guitar playing saying what the lyrics cannot.
That’s not to say she’s a tentative wordsmith. Lightfoot’s evolution into a potent songwriter might be captured best on the poignant “Norma Gale”. The tune tells the real life story of its namesake’s battle to make it as a songwriter and bass player in the colourful world of ‘70s country music, fighting to pursue her passion while raising her son alone and touring non-stop. It’s easy to hear why Gale’s story would resonate with Lightfoot: As tried and true road-dogs, they’re kindred spirits, both driven by a creative force they’d be willing to let tear them apart if it had to. And sometimes it does. But, as Lightfoot wails in the song’s transcendent finish—though the trek so far has been long and treacherous, and isn’t likely to let up—“I knew I had to keep on going.” That’s how she got here, after all.
It’s Lightfoot’s relentless commitment to the cause that made this album possible: racking up endless, hard-earned miles, forging and letting go of relationships, and seeking out every sliver of truth in a life on the road that is anything but easy to navigate. It’s an odyssey without a map to guide the way, filled with infinite missteps. But if they all sound as wild and beautiful as this, let’s hope Terra Lightfoot never stops making New Mistakes.
This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters. Ce projet est financé en partie par FACTOR, le gouvernement du Canada et les radiodiffuseurs privés du Canada.